The Royal Scottish Academy annual exhibition is on just now. In normal circumstances I'd be up there in person. Unfortunately, these are not normal times. Anyway, thank goodness for the internet. These are a few pictures I liked, but there are quite a few others worth seeing.
The above Alan Robb painting is very striking (and large). This is only a detail.
Like the RA Summer Exhibition, it can be a hit or miss affair but there's always something good in it and I won't be alone in missing being there in person. Although there are many good things about viewing art online, it's not the same at all, no matter how good the photograph. I feel a lot of sympathy for the organisers of the show this year, but in particular for the artists. Some would have been looking forward to their first RSA presence. They must be very disappointed.
In a past life, before the crisis (maybe that should be BC, Before-Covid), I would often travel up to Edinburgh on the train for a holiday in September. I'd take a day trip to Glasgow and visit the Kelvingrove Museum, and the Hunterian a short walk up to the university. Sometimes freshers week was on and I got a reminder of my student days.
The sun was shining in a good way on this beautiful tree in the university quad one time over there. It was one of those magical moments that sometimes happens and you're in just the right place, light and colour link up nicely. Definitely something to try and capture in paint later. I did one of my "studies", which I thought was successful, and then blew up to a larger canvas :
The sky is blue, the sun is out and it's a beautiful day.
Geraniums by Ruth Murray.
Ruth Murray has won the Jackson's Painting Prize with this amazing oil painting of a garden greenhouse at night. I wrote about this prize a week or so ago and remember opening this picture to have a closer look and thinking how good it was. Very deserving. You can see some other examples of her work linked on the Jackson's page.
Ruth's web site is here.
At the end of his interview with Tim Marlow, Hockney says that he might be boring others but he's not about to go and bore himself: he'll do what he enjoys doing. This is another great YouTube video from the RA, covering Hockney's 2012 show with his amazing Yorkshire lanscapes, and his 2016 show with all the portraits (and a still life).
I've gone on about how much I loved his colourful landscapes many times before. He is 82 now and currently "stuck" in Normandy due to the COVID-19 lockdown. Luckily he paints and draws, so I hope he's capturing some great spring weather over there.
With the "lockdown" continuing, we can't go to the gallery. If I was still in London, I would definitely have gone to the Royal Academy to see their Picasso and Paper exhibition. The RA have created a virtual exhibition though and they've done an excellent job. Watch on their own site (link above) or on YouTube :
I have to say that I really like some of Lachlan Goudie's work, especially some of his newer stuff. It's bright. colourful and accomplished, whether the landscape, still-life or complicated engineering (see his shipyard work). Some of the gouache sketches he did in the Holy Land were also very good (a BBC film was made). I think that as far as the landscape and still-life work goes, he is very much in the tradition of the Scottish Colourists.
If you visit Goudie's web site (which is not the easiest to use), start with the "gallery" link (bottom) and view his "New Work" to start.
Paintings to draw inspiration from.
A painting of the front of the St Vincent Bar and the corner of St Vincent Street and Circus Lane, done a few days ago. I've not been in the bar but it's always seemed an attractive picture, as is Circus Lane.
This painting is only "OK" as well but I think it might do better on a larger canvas. We'll see (I have no plans).
This is Lachlan Goudie's "isolation" message via the Scottish Gallery. He's well known from being a judge in the BBC's various Painting Challenge programs but also makes other art related programs (e.g. on Charles Rennie Mackintosh). I like his work. He's also one of the few artists who seems to regularly use gouache paint.
Reasons to be Cheerful Part 1
Tesco were selling fresh blueberries : "100% extra free".
It's nice not to have the constant thrum of traffic on the roads.
I'm not just showing my "good" stuff, I'm also calling things "studies" to try and emphasise that I'm not spending too long on the paintings. I'm not going to display anything I think's terrible though! These two studies are not great: let's say I think they're OK. However, on occasion, I've initially hated a painting only to change my mind after a few days, so I try not to rip stuff up too quickly.
These were both done in the past week. The beach scene was rubbed out and re-done once. It's done on an MDF board, not canvas textured, so much smoother than I'm used to. I had some trouble adjusting.
Also from Jackson's blog, a post from Lisa Takahashi.
She asked various artists how they're doing during the "lockdown" period. The first asked is Peter Brown, one of my favourites. A lot of art is created in a solitary way anyway, but some does require more space or equipment. Some artists don't have much of a "home studio", so have to make do and packed what they (thought) they needed. It's tough for everyone but I think that an artist has some advantage at the moment; maybe writers as well. Everyone wants to decompress in the sun sometimes though, or feel comfortable popping out to the shops. An online and virtual life doesn't cut it yet.
Jackson's Art Prize
I've bought quite a bit of stuff at Jackson's over the years, and quite a bit recently as well. I never visited a shop when down south but they do a lot of business online. I am not affiliated with them in any way but can vouch for their service, range and quality. They also have a good blog with regular and interesting posts.
As well as all that, they do a painting competition every year and have just announced their shortlist. I like this sort of thing, as well as group or club exhibitions, as it's great to see a wide variety of art on display. Some very good works of art here.
There are many pictures I like, one I've highlighted below :
This sort of outdoor painting is called contre-jour, against daylight. Painting facing towards the sun. I think it is particulary good in urban settings.
Luckily, we're still allowed a walk in the park, for exercise. Once a day anyway.
Living in Stockbridge, I'm lucky to be near the Botanics and Inverleith Park. The Botanic Gardens are closed just now unfortunately but the park is open. It's a lovely great big open space, with an outlook over the Edinburgh skyline from far East to far West, including Arthur's Seat and the Pentland Hills. Lots of bird life around as well, not least around the pond. Spring's here, the sun is out and we're (mostly) stuck inside ...
In frostier weather last year, I did an early morning visit and managed to take some decent photographs. From one I did a small study. And earlier this year I expanded it to a large canvas. This is the largest canvas size I've used so far and I think it came out well.
I've been enjoying listening to Professor Roger Penrose talking about aspects of his work on YouTube. Not only is he a very clever guy, he's also a good presenter. He's done an amazing amount of interesting and important work in mathematics and physics and is well known for his expertise in exotic things like Black Holes. I remember buying a book of his years ago called The Emperor's New Mind, in which he theorises on the nature of consciousness and its links to quantum mechanics. In book form, over my head; but in talk form, much more accessible.
Penrose saw work by the great Dutch artist M C Escher at an exhibition in Amsterdam in 1954. Struck by how ingenious Escher's "impossible" drawings were, he invented some "impossible" stairs with his father, Lionel Penrose. From a picture on Wikipedia :
Escher loved this and incorporated the idea in a famous drawing of his called Ascending and Descending :
Here's some Penrose :
Last year I painted this study of a scene in the graveyard, looking towards the church with the early morning sunshine strong but low in the sky. I thought I'd try and expand this onto a bigger canvas, starting the larger painting today. Early days. It has one of those complicated trees in it, something I always have to stop and think about how to do. Background first, then paint on top? Or foreground, and paint background around? I'm going to try the first option and see how it goes.
The Mound again. This time in full sunshine with a bright blue sky and a lone cloud that seemed to park itself over the castle. Yes, this was a real scene. I liked the strong contrast and bright colour here and did a small study last year. In the painting, I reduced the people and car traffic, leaving things a little lonely. Earlier this year, I blew the study up onto a larger canvas.