This was completed yesterday, started the day before :
(No) Sunshine on Leith, 10x8", oil on canvas board
Named from the great Proclaimers song, Sunshine on Leith of course. This shows a big warehouse in Leith, from a photograph I took after a bike run down and around various bike/walk paths starting at Warriston. A cloudly, overcast day.
This took two afternoons because I ended up wiping off the main warehouse after messing it up. I knew I'd have some trouble painting the big building: all the windows and complicated front decoration! This sort of fine, straight-edged detail often causes me headaches when painting wet in wet using oils At least the case when I'm not wanting to use layers, let things dry, take extra care over time.
And a last point. Yet again, a huge amount of trouble getting a decent photograph. Something that looks like the actual painting. I have a Canon EOS 700D, not a bad camera at all, shooting in RAW format. I know how to set ISO, shutter speed and aperture. I use a tripod. I've taken the RAW into a RAW editor to play with (Darktable), used a photo editor (Gimp) to try adjusting and have had a lot of trouble with the results. In some cases, I think it might be glare, perhaps exacerbated with the canvas texture showing up in the light/glare. I still need to figure out a good way to do this. It's very important to get this as good as possible. I'll get there .. still diggin'
Like her, I see an artist's life can already be quite isolated in the studio, on your own. It's harder for many people. I loved Crowe's show at the City Art Centre last year. I'd love to see her actually painting because I was intrigued by some of her techniques.
These are two small oil paintings done recently on canvas boards. Both 8x10" and completed in an afternoon. This is a photograph using my mobile phone camera :
All the rest of the photographs are from my Canon EOS 700D but using the built-in JPEG (not RAW), then slight "auto" white-balance in an image editor, then a scale and re-export ... and I'm usually unhappy with the way my paintings come across on the computer! I need to fix a workflow that makes them look more correct.
This was done on 2020-03-19 after a visit to the beach at Portobello :
This was done yesterday, 2020-03-24, and is from a screenshot from a YouTube video (see below).
Thoughts on Painting
I've been watching quite a lot of the artist Tom Hughes on YouTube via his channel Thoughts on Painting. He is a Bristol based plein-air oil painter and it's been interesting watching him work, and travelling around the country. No fuss or magic, but down to earth and personable. It's made me start considering trying outdoors painting myself and buying a similar "pochade" box. The painting above was done from a screenshot taken off a video he shot in Cornwall: after finishing a painting, he panned his camera around and I thought it looked worth a go myself! I like his work: it also reminds me of work by another painter who is out and about all the time, Peter Brown. Brown's painting of George Street, Bath, in the rain was worth a big mention in a post I made in 2017.
Tom Hughes' web site is : https://www.tomhughespainting.co.uk/
Talking about small scale art, the Open Eye Gallery in Edinburgh has an annual show in December called "On a Small Scale". It is an exhibition of small postcard sized (15-21cm) works of art by well known and invited artists. There are four walls filled with all these works, perhaps a couple of hundred in total (I didn't count). All media and all small. This type of exhibition is my favourite because of the huge variety on the walls: there's always something good, sometimes great. Another reason to look forward to December.
Path to the Loch, Argyll, by Robert Maclaurin, oil on linen on board, 15x21cm
Slow Morning, by Gertie Young, mixed media, 15x21cm
Now I'm in Edinburgh, I have a bit more room to devote to painting in my "studio" (bedroom number two - no actual bed). This makes a big difference.
Late last year I decided to try and do more painting, and seriously sit down much more. I seem to have a lot of trouble starting anything, sitting down and actually getting going. Plenty of procrastination. I think this is a trait shared by many people. I pushed a bit harder and started a small (8x10"), quick (2-3 hours), afternoon oil painting. This turned out well so I tried to keep this up. I bought a lot of small canvas boards and thought "who cares?" if I mess up, or rip them in half afterwards! I didn't quite keep the pace of one a day up, and doing quick (what I called) "studies" requires quite a bit of adjustment. However, I managed to do quite a few small paintings over a few weeks into December 2019, until Christmas got in the way.
Some of these turned out quite well I think, and some good enough to be redone on a larger scale. This year I've painted four much bigger paintings based on four of these studies; two are the largest paintings I've done. I think they have all turned out quite well and I hope to stick them up here.
In the meantime, last week I biked down to Portobello beach early, my first time down there. Lovely place that should be beautiful in the summer (but busy I bet). Of course, it rained: a heavy shower passed over quickly but, luckily, I was sheltered. I had a few photographs and painted this the day after, showing the rain clouds moving off towards North Berwick. Quite a striking view and I'm pleased with the end result :
More to come hopefully.
Maybe more time for :
- Spring Cleaning
- Art - more painting
- Reading - getting through a queue of books
- Learning something new
- Talking to friends and family
- Meditation - would love to get into this again
- Getting a different perspective on life
Oh, and maybe there'll be a baby boom.
And within a breath, the world was changed ...
It looks like we're in for a difficult and trying time for the next few months. If the disease doesn't get us, maybe the cure will. The BBC, doing their bit, have ramped up the coverage, extending their (5) PM radio news program to start at 4:30 pm, more news to add to our misery keep us informed. I'm listening to much less of that and more Radio 3.
I used to be a bit of a news junkie, reading the papers and taking in the news all the time. However, given the explosion in news media over the past few years, even from as far back as the start of the 24 hour news cycle with CNN 30 years ago, I've reduced my consumption a lot. Especially over the past few years, I've shrunk what I read, hear or watch a huge amount. This was for the sake of my own mental health: the news media seemed to cause a constant anxiety, worry and agitation, let alone political polarisation. I think this could well be a major causal factor in the decline of many people's health over the past decade. That and advertising perhaps. The internet, for all it's wonderful utility, has made it much worse.
With this new pandemic hitting, things are much worse. I'm trying very hard to not take in too much horror or hysteria. I don't even watch television but I know it will be winding up the panic day in and day out. No wonder we all get so sick, tired and angry.
Stay informed but it might be a good idea to switch off the firehose of negativity.
Take care everyone.
The above cartoon is by (I think) an American political cartoonist called Bruce Beattie. I took the image from the blog Maggies Farm.
And from the History Blog again, a post about more discoveries from the Mycenean site of Pylos in South Western Greece. These are digs close to the so-called Palace of Nestor (Nestor being King of Pylos and having fought on the Greek side of the Trojan War).
One of the original finds include a small agate sealstone made on Crete, so of Minoan manufacture. This is the "Pylos Combat Agate" and is described in more detail here. It is under 4cm long and exquisitely carved into the very hard quartz agate. The detail is stunning.
This is 3.6 cm long (click to enlarge) :
From the post :
one tiny agate sealstone of Cretan manufacture emerged from its thick lime accretion to reveal itself as one of the greatest masterpieces in ancient Greek art, far more advanced in craftsmanship than anybody realized the Minoans were capable of in 1,500 B.C.
The History Blog is a superb site that does daily posts on an interesting piece of history in the news, as chosen by "livius". Well chosen and interesting content with decent pictures. The blog is always worth a visit and is very well curated.
Recently, we have had a post about the first Christmas card created in 1843 by Sir Henry Cole, a British civil servant, organiser of the Great Exhibition at Crystal Palace in 1851 and postal reform advocate. There were 1000 cards made and some were also sent to America. However, as the post says, the "American bourgeois sensibilities" were not so happy with the depiction of the whole family enjoying a Christmas drink, including the toddler. A bit different today.
For a better view, see the original post on the History Blog (where you can click the image to expand).
A more recent post is about some famous Minoan frescos on the island of Thera. Dating from the 17th Century BC, the colourful pictures show monkeys playing and hanging around. They have now been identified as grey langurs, a species native to southern Asia e.g. the Indus Valley. As the comments mention though, it is a little surprising no one tried to identify them before. In addition, no one should be surprised at how much long distant trade occurred in the bronze age. It is an open and interesting question on why most of it stopped.
Just before I left London I saw that there was a Paula Rego exhibition on in Milton Keynes and I decided to try and travel up there and see it. Paula Rego is a Portugese artist long resident in the UK and I've come across her work a few times, finding it strange and very memorable.
Needless to say, in the time I had to sort out my move to Edinburgh, I didn't make it up there. I was therefore very pleasantly surprised to see the the Edinburgh National Gallery of Modern Art was hosting the exhibition in my new home city. It's called Obedience and Defiance and I went to have a look last week.
Rego uses her studio like a theatre set: she has props, sets them up and dresses it up. The result is often strange and uniquely hers.
I don't like her earlier work much but her later, more representational art is very good and instantly recognisable. She has a striking style and works at a large scale in pastel (in itself, a bit different). The same faces appear, with odd and unsettling scenes in some. Some works are definitely harder to look at: they're at the opposite end of the spectrum to the sweet or pastoral. She's done some work that shows she is in the same tradition as Francisco Goya. A good artist getting some proper recognition now.
A Monday afternoon, a bit wet, but getting out of the house for an hour or so to look at some art. First call was the Dundas Street Gallery for an exhibition called Lost Castles by Nichol Wheatley. He was in the gallery and very personable for a chat about his background, art, technique etc. .The oil paintings seem to be popular and quite a few were sold, always a great sign and good to see. The works are colourful and striking, the theme being old Scottish castles, often run down and broken. Lochs, sunsets and mist can add to the atmosphere.
Second gallery visit was to the Torrance Gallery for a look at their Christmas Exhibition. The gallery is always interesting, showcasing a large number of art works. For Christmas 2019, even more works on display and some very good indeed. Of particular note were the watercolours by Ken Ferguson: beautiful work. He is the second watercolourist that's got my attention recently.
See more of his work at the Holroyd Gallery site.
There's an Edinburgh Art Fair every year and this was the first time I've been. As the name implies, it's a large fair full of stands showcasing works of art from lots of different artists and galleries. Quite a few artists were on hand to chat. There's painting, print, sculpture, ceramic (and other media I might have missed); overall a very worthwhile visit. I felt like asking about technique occasionally and came away with a better understanding of some (at least potentially). The main trouble I have is figuring out whether I've been down all the aisles and nooks and seen everything!
The best way to attend is to find a gallery "invite" and get in free: you should be able to pick one of these up compliments of a neighbourhood gallery and I got mine from Dacre Art who have a "pop-up" Christmas exhibition on Dundas Street just now.
I saw a lot of art I liked at the fair but one artist seemed to stand out for me that day: a watercolour artist called Janet Kenyon. I've never painted anything much in watercolour, but is is a medium with very particular qualities, often beautiful: if you can pull it off. Kenyon can. Her city and landscape paintings were very good indeed and I was tempted!
His talk was excellent. Speaking off the cuff for about forty minutes he covered the foundation of the Bank of England, the Company of Scotland and subsequent Darien disaster, to the City of Glasgow bank collapse and all the way up to HBOS and RBS in 2008. A sobering talk in the end but also one that was witty and interesting. It also highlighted how far our system and regulation failed before, and after, the upheavals eleven years ago.
A very decent collection of paintings by Neil MacDonald at the Open Eye Gallery in Edinburgh, in an exhibition called Of Time and Place. Most are modest in size but have a certain feeling and atmosphere to them.
The Open Eye Gallery a usually very good. I'm lucky to live near a lot of great private art galleries that change their displays regularly. Keeps things interesting.
This is about something I went to a few months ago but never got around to mentioning. There may be a few more like this.
I went to Two Temple Place earlier this year to see an exhibition about John Ruskin called The Power of Seeing. This was the first time at Temple Place and it was quite eye-opening.
The venue is an amazing late Victorian house by the Thames, built in 1895 by William Waldorf Astor. It contains, what appears to be, acres of oak panels, carvings, stained glass and paintings: a sumptious interior that must have cost him a fortune. Luckily he had one, and it really shows. In fact, the artists and craft-people who built this gothic and literature-as-architecture palace had the backing of a bottomless wallet. Ruskin is a perfect fit for a place like this. Beautiful venue and a very good exhibition.
From the page linked above, you can download the exhibition flyer and PDF catalogue. Two Temple Place is not open for exhibitions often but I would definitely suggest visiting when it is.
Victoria Crowe in Edinburgh
Victoria Crowe's big retrospective at Edinburgh's City Art Centre, 50 Years of Painting, has just finished after a long run over the summer. I must have visited six or more times over the last few months and enjoyed it a lot. An excellent exhibition by an artist I had not really been very aware of before.
Laid out over three floors in chronological order, we see Crowe's development through the years; early works in the fields of Kittleyknowe (in the Scottish borders) and sometimes featuring her neighbour, the shepherd Jenny Armstrong, to later works of Venice and a more mystical and abstract feel. A slightly different style of art than I'm normally drawn to, but the work grew on me a huge amount as I absorbed it. Her work is as much about our inner landscape as the external world. Something she quotes is her old art teacher Prunella Clough telling her not to "make it real"; to avoid just painting a superficial, realistic representation of te subject. I struggle with this concept in my own painting.
Strong and beautiful colours with amazing surface texture and effects repeated. I spent time trying to understand how some of her technique is done: the way she overlays "print" work (whether photographs, text or other art works), the stencil like patterns and various textures on the paint surfaces.
Some repeated motifs appear, including the Giovanni Bellini Magdalene, a star attraction for me at the National Gallery Mantegna and Bellini exhibition in late 2018. A beautiful portrait of the saint that Crowe lays over (or under) many of her works, sometimes barely seen.
The full painting by Bellini was made in 1490 and is called Madonna and Child between Saints Catherine and Mary Magdalene. See the full painting on wikipedia.
Now the exhibition is closed, it feels like a part of the city is missing. On to the next one: Mary Cameron.
Victoria Crowe's home page is here.
David Cobley at The Mall Galleries
Having let my blogging slip for a while, I now want to try and catch up on things I have seen or done. It's been a very good year actually. One recent show was David Cobley's one man exhibition at the Mall Galleries last month : All By Himself. This was on two days before I left for Edinburgh. I managed to have a chat with him as well : a very down to earth and pleasant guy.
Like Mark McLaughlin, Cobley's an artist I have noticed in the past, liking his work and technique. Seeing them all together in one show was a great chance to have a proper look. The photograph above shows a work he was auctioning: an obvious homage to a very famous Hockney painting. A very good painting in its own right.
Hockney's painting Portrait of an Artist was sold at auction in 2018 for over $90 million, the most moeny ever made for a work by a living artist.
One of the pictures I really liked of his before was something called "Wordplay", I think shown at the Royal Society of Portrait Artists show earlier this year :
I imagine a very successful commission here. What I particularly liked was the expression on the girl's face as she watched her brother at work.
Cobley's web site showcases his work and it will be clear that he has a wide array of subject matter, and much imagination. Some very quirky stuff but all painted very well.
I wanted to hop onto the computer and get back in the swing of the occasional blog post. A post on the Jackson's Art blog prodded me to do it today : an interview with artist Mark McLaughlin.
He's based not far from where I used to live in South London (Camberwell) and he's an artist I've noticed a few times, coming across paintings in the Mall Galleries mainly. He's very strong on the contrast of dark and light, with dark shadows often almost black. The paintings displayed in the linked interview are beautiful, and I'd love to see them in real life.
Now time to explore Edinburgh, starting from my base in Stockbridge, a lovely and central part of the city. There's plenty of life and a vibrancy to the area. Being by the river (Water of Leith) and a short walk to Inverleith Park and the Botanic Gardens, it's also possible to disappear into an almost rural setting, away from noise and cars. I feel this is a more liveable and walkable city than London; a lot smaller of course, but this is the reason for its attraction now. Not all upside: it's at the bottom of a hill, so I tend to get a work-out before I get to the gym (by bike) for my real work-out. Edinburgh's built on hills but at least it's downhill coming back! I've also been lucky with the weather so far. I'm to get settled and hopefully blog a bit more again.
A few months ago, looking both backwards and forwards in my life, I decided that it was time for a change, and quite a large one. Not only leaving my job but also leaving London. I've known London since I was a boy, and lived here for thirty years, seeing many changes, good and bad. I'll miss many aspects of life down here, not least the cultural, and I've had some great times. I've decided to move back to Edinburgh, a place I know well and where I went to school and university. It also has many cultural attractions. I'm sad to leave but excited also to start a new chapter in a beautiful city.