By Tom Holland
The late Roman Republic had no shortage of great people and large talents, a usually constant competition to amass the most money and prestige, elbowing out the competition, and in some cases, getting them exiled (or killed). This period of ancient history has held a fascination for a lot of writers and historians over the years and it is easy to see why. The personalities and exploits are often so outrageous that it is quite amazing that they happened over the course of barely fifty years. In a good writer's hands, these stories are still exciting, and sometimes appalling. There is also a lot to recognise from our own times.
Luckily, Tom Holland is a very good writer and historian and has written a superb history book, one of the best I've read. I can thoroughly recommend this, even to those who might be averse to "history". This is the opposite of dry.
He made a great start, capturing a very good likeness. This was a "drawing" phase in thin, diluted brown oil paint, getting the proportions and large shapes down, before moving on to the darks, mid-tones and then lights. He has quite a presence and is very personable and fun to listen to. He made sure to describe the steps he did and why; it was really useful listening to him talk.
He has some work in the show this year and a great web site. This includes some video clips of him painting on the BBC.
One bitcoin has jumped in value from $1,000 to over $10,000 this year, making some people very rich indeed. That's if they can sell them because it's not such a liquid market. As the article says about each Bitcoin transaction :
Each transaction has to be verified by “miners” who need a lot of computing power to do so, and a lot of energy: 275kWh for every transaction, according to Digiconomist, a website. In total, bitcoin uses as much electricity a year as Morocco, or enough to power 2.8m American households. All this costs much than processing credit-card transactions via Visa or MasterCard.
There are people who are starting to worry about whether bitcoin mining will impact "climate change" plans. As for bubbles and their end-game, they also note :
Some remember Nathan Rothschild’s remark about the secret of his wealth: “I always sold too soon.”
Bitcoin seems to have climbed to $17,000, adding over $4,000 in less than a day! It's so volatile that who would want to use it as currency? Who knows what it is now ...
The Tate Gallery has had some very good exhibitions on recently, and with more to come, I decided to become a member. My first visit as a member was to Tate Modern on a horrible grey drizzly Sunday morning for the Modigliani show. I really like this early Twentieth Century Italian artist: his angular, colourful paintings are instantly recognisable and classic "modern" art.
Right: Jeanne Hébuterne, Oil on canvas, 1919, 91.4 x 73 cm
Below: Jean Cocteau, Oil on canvas, 1916, 100.4 x 81.3 cm
Above: Portrait of a Girl, Oil paint on canvas, 1917, 806 x 597 mm
The exhibition was excellent, with a lot of paintings and some drawings. Iconic portraits and the classic nudes. One of the subjects was Jean Cocteau (see above), a lovely painting but one where Cocteau (who bought it) said :
It does not look like me, but it does look like Modigliani, which is better.
Tate Modern is cavernous, and can be drafty. An enormous and impressive space but one that they sometimes have trouble filling. So, meanwhile in the main space, they put a soft carpet down with a playground at the bottom and, as the families appear, it is soon taken over by children of all sizes, many small ones lying down and rolling from the top. Quite funny to see actually. Enough of this pompous art stuff! Thoughts I've sometimes had in this building.
The 2017 Royal Institute of Oil Painters Annual Exhibition is on just now and, as usual, has many very good paintings in it. Even one or two acrylic pieces. One of many good artists on display is Lucy McKie, a phenomenally good realist oil painter. I would encourage you to check her web site to see how amazing her stuff can be.
Her picture of the bus (below) was used on the cover of the catalogue this year.
Lucy McKie was only one of many artists and paintings worth seeing however. The show is always worth a look, and only five minutes from Trafalgar Square. I'd like to go again, but note that it ends next weekend.Below: Lucy McKie, Old Toy Bus on Glass
The National Gallery has a good YouTube channel, with talks about paintings, discussions about exhibitions and behind the scenes looks. A good series for the season is called Gold, and one episode looks at how the framing department works. The gallery has a lot of frames to take care of, and many are very ornate with a lot of embossed gold to them. It also has a mention for one of the largest and most ornately framed paintings the gallery has, the painting The Raising of Lazarus.
The Buried Giant
By Kazuo Ishiguro
I have wanted to read something by Ishiguro for a while and saw The Buried Giant for sale cheaply in a charity shop. This was about two weeks before the world learned that he had won the Nobel Prize for Literature.
Unfortunately, I found this book to be terribly dull and written in a very flat and boring way. Some sort of "fable", I started to wonder if it was aimed at children, or young adults. I kept on expecting something more to happen and be explained, perhaps a deeper significance to the novel. For this reason I pushed on and forced myself to finish it, but the ending was also a big disappointment. No doubt the Booker Prize winning Remains of the Day is better and I still plan on reading that. But avoid this one.